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How did Paul Bern Die? The Mysterious Death of Jean Harlow’s Husband

January 3, 2017 by Tonya Blust 2 Comments

Though she was America’s “Blonde Bombshell,” in many ways movie star Jean Harlow led a less-than-glamorous life.

She came from Midwestern roots, having been born Harlean Harlow Carpenter in Kansas City, Missouri in 1911. Her father, a dentist, and her mother, a homemaker, had an unhappy marriage and divorced when Harlean was 11 years old. An only child, Harlean was indulged by her overprotective mother, who pushed Harlean into show business after the elder woman failed to make her own mark in Hollywood.

As “Jean Harlow” (her mother’s maiden name), Harlean started with bit parts, then signed a contract with director Hal Roach, who cast Harlow as a “swanky blonde” in a Laurel and Hardy short. Harlow next signed a contract with director Howard Hughes, who featured her as a vamp in the 1930 film Hell’s Angels. She later appeared alongside James Cagney in director William A. Wellman’s The Public Enemy, which became one of the top box office draws of 1931.

By July 1932, when Harlow married Metro-Goldwyn-Mayer executive Paul Bern, her future in entertainment seemed as bright as the platinum-hued hair that had become her signature trait…until September of that year, when Bern died from a gunshot wound that, while officially ruled suicide, left many people wondering whether it had actually come at the gunpowder-streaked hands of a women who had loved him.

Harlow’s marriage to Bern had been the talk of Hollywood, mainly because of the odd coupling it produced. Bern, a native of Germany, was nearly twice the age of his 22-year-old bride and was as mild-mannered and unassuming as his wife was fun-loving and uninhibited. He was short and balding, with an average appearance, while Harlow’s hourglass figure, sparkling green eyes, and gleaming smile—not to mention the pale blonde hair that had women across the country rushing to beauty salons for a similar look—accounted for much of her on-screen success.

Still, what Bern lacked in aesthetic appeal he made up for with intelligence. He had a thriving career as a writer, director, and producer, and was so well-known for his kindness and intellect that he earned the nickname “Hollywood’s Father Confessor” (a marked contrast to his wife’s “Blonde Bombshell” persona). Bern and Harlow had been friends before they started dating, and Bern had convinced MGM executives to purchase Harlow’s contract from Hughes, a move that boosted her fame to even greater heights. The couple was engaged for only two days before their July 2 wedding. Tinseltown gossips attributed the union to Bern’s desire to marry an attractive ingénue and Harlow’s desire to use her husband’s connections to advance her already thriving career.

Whatever Bern’s and Harlow’s goals for their marriage, barely enough time passed for the newlyweds to achieve them. On September 5, 1932, less than 10 weeks after the wedding, Bern’s nude body was found by his butler in Bern’s and Harlow’s Beverly Hills home. A .38-caliber revolver, which had driven a bullet into Bern’s head, lay on the floor next to him. In what was common practice during Hollywood’s early years—when any hint of unpleasantness in the lives of its stars could mean disaster at the box office—the first phone call placed upon the discovery of Bern’s body wasn’t to the police but to MGM, whose executives rushed to the scene to assess the situation and conduct damage control if needed.

No one knows exactly what the studio brass did upon their arrival in the Bern/Harlow home, but it’s safe to assume they searched the premises for anything that could prove incriminating to the newly widowed Harlow. (Jean hadn’t been home when her husband’s body was discovered, nor, she would later state, was she there at the time of his death.) The police didn’t arrive until two hours after the MGM executives did, and by that time the scene they encountered had almost certainly been compromised. Eventually authorities became aware of a clue that indicated the possible cause of Bern’s fate: a suicide note that studio head Louis B. Mayer said he had found in the home and in which Bern told Harlow that his death was “the only way to make good the frightful wrong [he] had done” and to “wipe out [his] abject humiliation”.

What did these statements mean? During the inquest that investigated Bern’s death, it was alleged that Bern was impotent and that his embarrassment over the condition – made even more profound by his marriage to a beautiful starlet – had led him to end his life. Testimony from the butler who had found Bern’s body supported this theory, as the butler indicated that though Bern and Harlow had a loving marriage, Bern had talked about killing himself. The assumption that arose from this testimony was that Bern’s alleged inability to have intercourse with his wife had plunged him into a depression from which he saw death as the only release.

However, other evidence from the inquest contradicted this theory behind Bern’s death. The couple’s gardener said he had never heard Bern bring up the idea of suicide. The gardener also stated that Bern and Harlow had a less than affectionate marriage, not the fairy-tale relationship in which MGM and Harlow wanted the public to believe (and, by extension, over which Bern would have deemed it necessary to kill himself). In addition, Bern’s cook stated that on the night Bern died, she had seen an unknown woman – not Harlow – on the grounds of the home and that she had also found two empty glasses and a woman’s bathing suit, in a size other than Harlow’s, near the couple’s pool. If the cook’s testimony was to be believed, it would seem that Paul Bern hadn’t been alone on the night—and maybe even at the time—of his demise.

After reviewing the testimony, the inquest came back with an official cause of death: suicide. Yet while the matter was settled in the books, not everyone believed that Paul Bern had killed himself. A minority of skeptics believed that Harlow had killed Bern and that MGM executives’ visit to her home was an attempt to cover up the evidence of her crime.

A more commonly proposed suspect – assuming that Bern had not, in fact, killed himself – was Dorothy Millette, Bern’s former common-law wife. Though his relationship with Millette had ended upon her committal to a sanatorium in the early 1920s, Bern had stayed in touch with her and continued to support her financially after their separation. Was Millette the mystery woman whom Bern’s cook had seen on the night of his death? The fact that Millette drowned herself in California’s Sacramento River two days after Bern’s death added an element of believability to this theory. Proponents of the “Bern-was-murdered” hypothesis believe that the suicide letter had either been faked or was a letter Bern had written long before his death about a completely different topic. The skeptics’ assumption was that MGM executives believed it would look better for Harlow to be the widow of a husband who had committed suicide rather than the widow of a man whose former lover had killed him.

To defuse the scandal surrounding Bern’s death, MGM arranged a quick marriage for Harlow, to cinematographer Hal Rosson in 1933; the couple divorced eight months later. In the ensuing years, Harlow’s film career remained strong, but her health did not. She had struggled with medical issues throughout her life and fell seriously ill in 1937 during the filming of the movie Saratoga. Harlow died of kidney failure on June 7 of that year at the age of 26. To her dying day, she never spoke publicly about Paul Bern’s death.

Filed Under: Hollywood Crimes, True Crime Mysteries

The Disappearance of Bobby Dunbar

October 16, 2016 by Tonya Blust 3 Comments

The Disappearance of Bobby Dunbar

During the spring of 1913, two mothers found themselves in a peculiar situation—each insisting that the cherub-faced boy who had been found in the company of a travelling handyman in Mississippi was her son.

The first of the two women, a stout, unmarried field hand named Julia Anderson, insisted that the child was her son Charles, who was known by his middle name, Bruce. Anderson said she had allowed the handyman, an acquaintance of hers, to take Bruce on his travels for a few days—not for the 15 months the boy had actually been away.

The other woman, a well-dressed, married housewife named Lessie Dunbar, said the boy was her son Bobby, who had gone missing from a family fishing trip eight months earlier. At the time of the events in Mississippi, Lessie had already attained national recognition, as the search for Bobby Dunbar had generated headlines and attracted the attention of concerned parents across America. Now, as the drama surrounding the boy’s identity unfolded, the nation held its collective breath, wondering whether the mystery of Bobby’s fate had finally been solved.

How could two mothers look at the same child and each insist he was theirs, ultimately leaving it up to a court to determine the matter of custody? And with the boy being about five years of age—certainly old enough to acknowledge one or the other as his parent—why hadn’t he done so? With more than a century of hindsight, the answers now seem clear enough, though the passage of time has also raised additional, perhaps unanswerable, questions about the sad, confusing case of Bobby Dunbar.

The saga had begun almost a year earlier, in the summer of 1912, when the Dunbar family—parents Percy and Lessie, and sons four-year-old Robert (known as Bobby) and two-year-old Alonzo, went on a trip with relatives to central Louisiana’s Swayze Lake. During the outing, Bobby disappeared. A search was immediately undertaken, first by the family, then by hundreds of volunteers who combed the lake’s cloudy waters, looking for any sign of the missing boy. Had Bobby drowned? Had he fallen victim to one of the many alligators that roamed the lake’s waters? Had he been kidnapped? The latter seemed possible, as rumors swirled that an unknown man had been seen in the area. Yet, despite the extensive search, no firm clue was ever found indicating Bobby Dunbar’s fate or whereabouts.

Then, in April 1913, with the story of Bobby’s disappearance having spread throughout the country, the Dunbars learned that a child roughly fitting Bobby’s description had been found in the company of William Cantwell Walters, a vagrant who earned a meager living traveling the South and working as a handyman. Percy and Lessie traveled from their hometown of Opelousas, Louisiana to southern Mississippi, where Walters had been arrested for kidnapping and where the boy was currently being held by authorities.

Reporters from that era couldn’t seem to agree on whether the Dunbars immediately recognized the child as their son. Some stated that the parents weren’t sure the boy was Bobby and that the child himself didn’t seem to know either them or Alonzo. (Another account painted an altogether different—and almost certainly invented—portrait of the scene: the boy running into Lessie’s arms at first sight, embracing her as he called out “Mother!”) It wasn’t until a day after their initial meeting, when Lessie gave the boy a bath and said that she recognized markings on his body, that she identified him as her missing son. The child returned to Opelousas with the Dunbars, receiving a hero’s welcome complete with a parade and other festivities

However, the resolution to this mystery wasn’t quite as clear-cut as the Dunbars—and, indeed, anyone following the strange saga of the missing boy—hoped to believe. In fact, one could say the mystery was only beginning. The handyman, Walters, who was awaiting trial in Louisiana on charges of kidnapping, insisted that the boy the Dunbars had claimed as their own wasn’t Bobby. Instead, Walters said, the child who had been traveling the American South with him since February 1912—before Bobby’s disappearance—was named Bruce Anderson, and he was the son of Julia Anderson, an acquaintance who had allowed Walters to take Bruce on his travels.

Upon hearing of Walters’ arrest and the discovery of the boy, Anderson traveled from North Carolina to Louisiana to attempt her own identification. Like Lessie Dunbar, at first Anderson had trouble determining whether the boy was her son. Also like Lessie Dunbar, a day after her first attempt, Anderson stated that the boy found in Walters’ care was, in fact, her child. However, unlike Lessie Dunbar, Anderson had born three children out of wedlock, which earned her a tongue lashing from the press over her supposed moral failings and unfitness as a parent. Anderson also had little money with which to fight for custody. Therefore, despite the disputed identification, a court-appointed arbitrator ultimately awarded custody to Percy and Lessie, officially establishing the child’s identity as Bobby Dunbar.

In 1914 Walters went on trial in St. Landry Parish, Louisiana (where Swayze Lake was located) for kidnapping Bobby Dunbar, a charge for which he faced the possibility of the death penalty. Despite testimony from Julia Anderson (who asserted that the child was, in fact, Bruce) and from residents of Poplarville, Mississippi, who said they had seen the boy in Walters’ company before Bobby disappeared, Walters was convicted and sentenced to life in prison. The verdict was overturned a few years later on a technicality. Prosecutors decided not to seek a new trial, so Walters was set free. He died in the late 1930s of blood poisoning from a splinter he received while working for a family in Florida.

Following the trial, life returned to whatever semblance of normality the parties involved in the incident could establish. Julia Anderson got married and had seven additional children. She settled in Mississippi, where she worked as a nurse and midwife until her death in 1940. She never forgot the son from whom she had been separated, and made sure her younger children knew about the existence of their older brother Bruce.

For Percy and Lessie Dunbar, the passage of time was less kind. In 1927 they obtained a divorce that had been preceded by years of clashes over parenting decisions and allegations of infidelity. Percy died a few years later, in 1931, while Lessie died in the 1970s.

Bobby himself got married in 1935 and, despite the turmoil of his early years, led a happy life as an adult, working as a salesman and raising four children of his own before passing away in 1966. Though the whispered questions surrounding his identity had never completely faded, it seemed that, with Bobby’s death and the passage of time, those queries would eventually come to an end.

And perhaps they might have had technology not advanced to the point that DNA tests became capable of determining whether or not individuals were genetically related. In 2004, after much debate (and facing opposition from some of his relatives, who wanted to let the matter rest), Bobby’s son, Bobby Dunbar, Jr., took a DNA test, with his results compared to those of one of his uncle Alonzo’s sons.

The result?

No match. The child whom Percy and Lessie Dunbar had taken home and raised as Bobby Dunbar hadn’t been their biological son.

And with that discovery, new questions suddenly arose. How could such a misidentification have occurred, one that led to a child being raised by a family that, genetically, was not his own? Likely, several factors came into play, chief among them classism. Julia Anderson had little money and had born children out of wedlock. On the other hand, Lessie Dunbar was a married woman who enjoyed a comfortable lifestyle and social status in her community. With all the attention Americans had paid to the loss and eventual “discovery” of Bobby Dunbar, it came as no surprise that the public wanted a resolution that would give the sad story a happy ending: a lost child reunited with married parents who could give him the lifestyle and material comfort he wouldn’t have enjoyed with Julia Anderson.

How can one explain the fact that both sets of parents, despite initial uncertainty, insisted the child was theirs? In the Dunbars’ case, because the boy wasn’t, in fact, Bobby, the reason for such doubt is clear. Yet what led them to eventually identify the child as Bobby? Perhaps their shattered minds didn’t want to face the reality of what had likely happened to the “real” Bobby at Swayze Lake and therefore worked overtime to convince them that the child was, in fact, their lost son. Conversely, maybe they knew at heart that the child wasn’t Bobby, but sought a resolution that would restore their family and remove them from the limelight that had shone on them for the past several months.

For Julia Anderson’s part, it seems fair to say that 15 months is a significant amount of time to be separated from one’s child, especially when that child is four years old and growing rapidly. The boy who left her care in February 1912 may have looked much different when he was discovered nearly a year and a half later, thereby accounting for her initial uncertainty as to his identity.

Also perplexing was the fact that the child himself hadn’t initially identified either the Dunbars or Julia Anderson as his parent(s). Again, in the Dunbars’ case, this isn’t a surprise, as the boy truly didn’t know them. With respect to his inability to identify Anderson, it seems likely that Bruce—if, indeed, that’s who the child was—either didn’t recognize Julia Anderson as his mother or felt no familial connection to her. The suggestion has also been raised that Bruce was hesitant to give up the material comforts to which he had become accustomed during his brief time with the Dunbars; this, coupled with the fact that he was being told over and over that he was Bobby Dunbar, led his young and confused mind to seek the easiest resolution: life with the Dunbars at the expense of identifying Julia Anderson as his mother.

The next question: Was the boy found in Mississippi and raised as Bobby Dunbar actually Bruce Anderson? The DNA test that proved Bobby Dunbar wasn’t, in fact, Bobby Dunbar, relied on genetic material passed along through the father (in this case, Percy Dunbar, Bobby Dunbar, Sr., and Alonzo Dunbar). Therefore, the same test couldn’t be used to determine whether Bobby was Bruce Anderson, as it wouldn’t have revealed genetic links between Bobby Jr. and relatives of Julia Anderson. In order to establish Bobby Sr.’s maternity, his body would have had to be exhumed, a course of action that neither the Dunbars nor Julia’s family wanted to take. Still, it seems a likely conclusion that the Dunbars had actually raised Julia Anderson’s child—Bruce Anderson.

Perhaps the most shattering question of all is: What happened to the “real” Bobby Dunbar? Though, of course, his true fate has never been determined, it seems logical to assume that Bobby wandered off and fell victim to misfortune, perhaps by drowning or succumbing to an animal along the lake. Therein lies the true tragedy of the story, for although the boy who grew up as Bobby Dunbar lived most of his life separated from his biological relatives, his ultimate destiny was a happy adulthood, which was certainly better than the fate that likely befell his namesake on the shores of a Louisiana lake more than a century ago.

Filed Under: True Crime Mysteries, True Crime Stories

The Robison Family Murders

September 1, 2016 by Tonya Blust 1 Comment

The Robison Family Murders

The smell was overwhelming one July day in 1968 as Chauncey Bliss approached the cabin he had built years earlier near the community of Good Hart, on the northwest coast of Michigan’s Lower Peninsula. Bliss was a carpenter who had constructed many vacation homes along the glistening shore of Lake Michigan. Now he served as caretaker of those homes, which he had collectively named “Blisswood.” Among their number was a residence occupied by the Robisons, a wealthy family from the Detroit suburb of Lathrup Village.

Drawn to the Robison home by a woman who lived near the family, and who had called him to complain about an ungodly smell, Bliss stepped up to the log-cabin-style residence. No one had seen the Robisons for several weeks, but the family had told acquaintances they were planning a trip out of town, so their absences hadn’t alarmed anyone. The smell probably came from a dead raccoon in the crawl space, thought Bliss, steeling himself to face the odor he knew would be more pungent inside.

Bliss knocked at the front door, but got no response. He entered the house. Immediately, he saw a woman’s body sprawled in the entryway, her clothing in disarray. Behind her, Bliss caught a glimpse of several other bodies lying on the floor in pools of congealed blood. Bliss hurried away and called the police.

An initial investigation revealed that the cabin contained six bodies, which accounted for every member of the Robison family, from 42-year-old father Richard to 7-year-old daughter Susan. Both Richard and Susan had been bludgeoned with a hammer as well as shot with a pistol. The other family members—40-year-old mother Shirley, and sons Richie, 19, Gary, 16, and Randy, 12—had been shot with the same weapon that had been used on Richard and Susan; however, this latter group had not been struck with the hammer. Due to the condition of the bodies, which were heavily decomposed, officers estimated the murders had taken place about a month before the Robisons were found. Authorities placed the date and time of death as the late afternoon or early evening of Tuesday, June 25, 1968.

Initially, facing the devastating scene in front of them, the police were at a loss. The Robisons were an upstanding family that attended church regularly and had no known enemies. Richard was an advertising executive and published an arts magazine called “Impresario,” while Shirley took care of the family’s home. Richie, the eldest son, attended Eastern Michigan University. The younger Robisons did well in their studies, and family acquaintances said they were smart and polite children. Why would someone have killed the family in such a violent manner, then left their bodies to decay in the northwest Michigan woods?

However, as officers dug into Richard Robison’s business dealings, they came up with a lead. Though Robison presented himself as a prosperous executive, his companies were actually in trouble. Robison had been engaging in some not-altogether-ethical activities in terms of the finances for “Impresario,” and had told colleagues and family members about various deals he had in the works, though no one knew much about them. One of the most revealing discoveries was that, while in Good Hart, Robison had left his business in the hands of 30-year-old Joseph Scolaro III, an employee who had been embezzling money from Robison. (The amount was later revealed to be about $60,000.) Police theorized that, during a phone call between Robison and Scolaro hours before the murder, Robison revealed that he had found out about the embezzlement. At that point, according to police, a panicked Scolaro took off from Detroit, drove several hours north to Good Hart, and killed the family before Richard Robison could come forward with details about Scolaro’s crime.

Circumstantial evidence supported this conclusion. Scolaro had been out of contact with friends, business associates, and family members for twelve hours on the day of the murder, and police couldn’t find anyone to support Scolaro’s alibis as to where he had been. Officers also discovered that shell casings found at a shooting range Scolaro frequented matched casings that police found at the scene of the crime. In addition, Scolaro failed two polygraph tests and delivered inconclusive results on a third. To officers, Scolaro became a prime suspect.

However, because police couldn’t find the murder weapons, nor any eyewitnesses to the crime, the prosecutor in Emmet County, where the Robison’s cabin was located, didn’t press charges. Frustrated, state police officers worked with prosecutors in Oakland County, where the Robisons lived, to continue the investigation. In 1973, Oakland County Prosecutor L. Brooks Patterson was ready to charge Scolaro with conspiracy to commit murder. However, before officers could apprehend their suspect, Scolaro shot himself in the head, effectively ending Brooks’ attempt to prosecute him. Scolaro left behind a suicide note in which he said he did not kill the family. However, many students of the case, as well as the state police and the Emmet County Sheriff’s Department, still consider him the prime suspect.

That’s not to say Scolaro is the only person who has been accused of killing Richard Robison and his family. Critics of the “Scolaro as killer” theory say that Scolaro couldn’t have driven to Good Hart, shot the Robison family, and driven back to the Detroit area in the amount of time for which he didn’t have an alibi. Some people suspect that John Norman Collins, who was convicted in 1970 of killing a female college student in Ypsilanti (and who is a suspect in the killings of several other co-eds, a series of crimes that has become known as “The Michigan Murders”), was somehow involved in the Robison murders. Collins attended Eastern Michigan University at the same time Richie Robison did, and is even said to have possibly roomed with Robison during orientation week.

Another proposed suspect is Blisswood’s caretaker, Chauncey Bliss, who had found the bodies. Bliss was known as a bit of an eccentric and some Good Hart locals believe he committed the murders after his son, who was friends with the Robison boys, died in a motorcycle accident shortly before the Robison murders. According to this theory, Bliss felt slighted by Richard Robison in the days following the younger Bliss’s death and took his revenge by killing the family. (Police didn’t regard Bliss as a suspect in the Robison murders.)

Other suspects have been suggested and discarded, and the case is officially unsolved. Nearly 50 years after the murders, the community of Good Hart remains a popular vacation destination for tourists looking to get away from it all. Unfortunately, for the Robisons, their attempt to “get away from it all” ended during a violent encounter after which they would never return.

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Filed Under: True Crime Mysteries, True Crime Stories

The Hinterkaifeck Murders

June 7, 2016 by Tonya Blust Leave a Comment

The Hinterkaifeck Murders

In March 1922, Andreas Gruber’s farm was the setting of some strange—and altogether creepy—occurrences. From a forest at the edge of his property, Gruber had discovered a set of footprints leading to his farm…but no set of footprints leading back. He had heard footsteps in his attic, Gruber told his neighbors, and had also found a newspaper that didn’t belong to anyone in his family. His house keys had even gone missing. Many people in Gruber’s situation would have contacted the authorities, or at the very least sat up nights with a shotgun in hand, waiting for an intruder to appear. However, Gruber must not have been overly concerned; he neither reported the happenings to the police nor moved his family away from the farm where the threat of ominous activity seemed to grow every day.

That lack of action cost Andreas Gruber dearly. By the beginning of April, he was dead, as was every member of his household.

In what has become known as the “Hinterkaifeck murders,” named after the southeastern German farmstead where Gruber and his family met their end, six people—Andreas; his wife, Cäzilia; their widowed daughter Viktoria; their grandchildren, 7-year-old Cäzilia and 2-year-old Josef (who were Viktoria’s children); and the family’s maid, Maria Baumgartner—were brutally slaughtered by an assailant who remains unknown to this day. Though more than 100 suspects have been considered, German police academy students who re-examined the case in 2007 determined that with the passage of time, not to mention the archaic investigatory practices that produced the evidence with which modern-day authorities must work, there is no chance that the murders will ever be definitively solved.

Neighbors who paid a visit to Hinterkaifeck on Tuesday, April 4, 1922, several days after the farm’s inhabitants had last been seen, likely had no idea that they would be encountering the scene of a crime that would occupy the minds of both police and armchair investigators for decades to come. The search party had been drawn to the farm because young Cäzilia had missed school the previous Saturday, while the entire family hadn’t shown up for church on Sunday—incidents unusual enough to merit a visit from concerned townsfolk. The reason for these absences became apparent when the bodies of Andreas, his wife, his daughter, and his granddaughter were found in the barn, their heads destroyed by what investigators would later determine was a mattock, a tool similar to a pickaxe. In the house, neighbors discovered the bodies of Josef and Maria, who had fallen victim to the same method of attack. Investigators were called to the scene and pinned the date of the deaths as Friday, March 31. This determination was especially eerie because neighbors had reported seeing smoke coming from the Grubers’ chimney throughout the weekend—an indication that the murderer had remained on the property for at least a few days following the crime. This belief was supported by the fact that the farm’s animals had been fed, the family’s food had been eaten, and a bed had been slept in, all while the bodies of the Grubers began the slow process of decay.

The destruction of Hinterkaifeck’s residents was a conspicuous end to a family that already had a specter of scandal surrounding it. The Grubers, at least some of them, were not well-liked by members of their community. Andreas was said to be a recluse who beat his wife and children (and, if rumors were to be believed, who had engaged in an incestuous relationship with Viktoria that had resulted in the birth of Josef). In addition, six months before the murders, the Grubers’ previous maid had left the farm in a hurry, claiming that she heard strange voices and footsteps and insisting that the house was haunted. The new maid, Maria Baumgartner, started her job on March 31—the last day of her life.

The police immediately set about in search of a motive, which, they hoped, would lead to a suspect. Robbery was ruled out; although the Grubers were well-off, none of their valuables had been touched. Maybe the motive was revenge. Viktoria had claimed that a local man named Lorenz Schlittenbauer was Josef’s father; at the time of her murder she was planning to sue Schlittenbauer for financial support. Schlittenbauer was one of the neighbors who had discovered the carnage at Hinterkaifeck, and the men with him at the time noted that he seemed oddly unfazed upon finding the body of the woman he had once courted. Police investigated him, but ultimately didn’t find enough evidence to charge Schlittenbauer with the crime.

Another proposed suspect was Viktoria’s husband, Karl Gabriel. He had been declared dead while fighting in World War I, but his body was never found. According to one theory, Gabriel didn’t, in fact, die. Instead, he faked his death with the intention of starting a new life, then changed his mind. When he traveled to Hinterkaifeck and found his wife either engaged in an incestuous relationship with her father or having borne the child of Lorenz Schlittenbauer, Gabriel killed the entire family in a fit of rage. Admittedly, this theory strains credibility, for although Gabriel’s body was missing, several soldiers indicated that they had seen him die in a trench in France.

Not only have a suspect and motive remained elusive for nearly a century, the sequence of events that led to the deaths of the Grubers and their maid can’t be definitively established. With no survivors to describe what happened at Hinterkaifeck on March 31, 1922, any theory is merely conjecture. However, investigators believed that somehow the murderer was able to lure the four eldest Grubers to the barn, one by one, and then kill them. At that point, the murderer entered the house and killed Josef and Maria. Most of the Grubers were found wearing their nightclothes, so the murders probably occurred in the evening, under cover of darkness. The attacks were devastating enough that Andreas, the elder Cäzilia, and Viktoria died immediately, but the younger Cäzilia had apparently been alive for a few hours after the assaults; she was found with tufts of her own hair in her hands, likely pulled out in spasms of pain and despair.

The indignities heaped upon the Grubers didn’t end with their deaths. Their heads were sent to Munich for investigation, but were lost during World War II. Therefore, the six bodies buried in a graveyard in Waidhofen, the municipality in which Hinterkaifeck was located, are headless. One year after the crimes, the farm was demolished so that it would no longer serve as a grim reminder of the violence that had visited the community.

Although the students who investigated the murders in 2007 indicated that the case could never be solved, they did settle on the most likely suspect. However, out of respect for the individual’s descendants, his name was not made public. Thus, the possibility exists that the man who committed the Hinterkaifeck murders will in death—as he did in life—escape the earthly penalty of having his identity exposed as one of history’s most depraved murderers.

Filed Under: True Crime Mysteries, True Crime Stories

Famous Irish Murders

March 17, 2016 by Tonya Blust Leave a Comment

Famous Irish Murders

Ireland’s lush, green landscape and friendly inhabitants belie a darker atmosphere, one suffused with fog-shrouded hills and peopled with creatures like the wailing banshee. However, not all of Ireland’s monsters reside strictly in the realm of fantasy. Following are three famous real-life stories of murder and mayhem in the Emerald Isle.

 

The Mary Russell Murders–When the Mary Russell left present-day Cobh, County Cork in February 1828, headed for Barbados with a cargo of mules, seven of the brig’s crew members had no idea that this trip through the Atlantic would be their last. In June of that year, near the Cove of Cork on Ireland’s southern coast, the Mary Russell’s captain, an Englishman named William Stewart, flagged down an American vessel called the Mary Stubbs. Stewart sought help, claiming that he had been forced to kill his mutineering crew members. The scene that the Mary Stubbs’ captain, Robert Callendar, encountered upon boarding the Mary Russell (as described later by a journalist who visited the ship when it had docked), was stomach-churning: seven decomposing bodies were bound to iron bolts, their heads smashed in and their bodies covered with blood. Stewart’s claims of mutiny were called into question when, while Callendar was aboard, two surviving Mary Russell crew members emerged from the ship’s hold and sought refuge with the Mary Stubbs. During a subsequent inquest, these survivors, as well as two young boys who had been aboard the Mary Russell, related what had happened during the ill-fated trip. Upon leaving Barbados for the journey back to Ireland, Stewart, previously known as a kind and even-tempered captain, had begun behaving erratically, insisting that his crew was planning to kill him. One by one, Stewart tied up the Mary Russell’s men (though two of them–William Smith and John Howes–managed to escape and seek refuge in another part of the ship). Stewart then killed the bound men with a crowbar. During his August 1828 trial in Cork for the murder of one of the crew members, James Raynes, Stewart was found not guilty due to “mental derangement.” He was sent to an asylum for detention and treatment. Several years later, Stewart’s psychosis returned and he killed a hospital attendant at Cork Asylum. Stewart himself died in an asylum in Dundrum (now a suburb of Dublin) in 1873.

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The Murder of Bridget Cleary–In the late 19th century, tales of fairies and other fantastical creatures were taken as a matter of fact by many denizens of rural Ireland. That became a problem for Bridget Cleary, who, in March 1895 in County Tipperary, found herself accused by her husband Michael of being a changeling, or a fairy left behind in place of a human. Michael Cleary was said to be so convinced that his wife was a changeling that when she fell ill, he attributed the cause to her status as a folkloric creature. Bridget underwent a series of torturous “cures,” including forced feedings and having urine thrown on her in an attempt to cast out the supposed fairy. As her condition deteriorated, a priest was called to the Cleary home to administer last rites. Then, in mid-March, Bridget disappeared. It wasn’t until March 22, when her burned body was discovered in a shallow grave, that the truth about her fate was revealed. In July 1895, Michael Cleary, as well as Bridget’s father Patrick Boland and seven other people, went on trial, some for “wounding” Bridget and some for murdering her. According to testimony, Michael Cleary had been threatening his wife with a piece of burning wood when her undergarment caught on fire. At that point Michael threw lamp oil on her. He rebuffed any attempts by others to help his wife, insisting that the fire would get rid of the changeling and bring back the “real” Bridget. Though no one could say whether Bridget was still alive when Michael threw the oil on her, her husband was found guilty of manslaughter, ultimately serving a 15-year sentence. Four others were found guilty of the wounding charges. The case of Bridget Cleary was widely publicized throughout both Ireland and Britain; in the latter, it served as a cautionary tale of the supposed dangers of letting Ireland’s citizens govern themselves, a topic of heated debate at the time. (The Republic of Ireland ultimately achieved independence from the United Kingdom in 1922.)

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Who Murdered Moll McCarthy?–In December 2015, Michael D. Higgins, president of Ireland, signed a posthumous pardon of Henry “Harry” Gleeson, who in 1941 had been convicted of and executed for the murder of a woman named Mary “Moll” McCarthy. Gleeson had been a laborer on his uncle’s County Tipperary farm, which was next door to the ramshackle cottage in which McCarthy lived with her seven children (who were said to have been fathered by six different men). McCarthy was a prostitute, exchanging sexual services for food and other necessities, and her illicit activities made her a source of suspicion among many members of the community. McCarthy’s scandal-plagued life ended in November 1940, when she was shot twice in the face. Gleeson discovered her body in one of his uncle’s fields on the 21st of that month. Though Gleeson had an alibi for that day, the police arrested him for McCarthy’s murder. During Gleeson’s trial in early 1941, the prosecution presented the theory that Gleeson was the father of one of McCarthy’s children and that he had killed McCarthy to prevent the secret from getting out. Gleeson denied the allegation. Despite the existence of medical evidence indicating that the murder had occurred on November 21–the day on which Gleeson had found McCarthy’s body and the day for which he had an alibi–the prosecution insisted that the murder could have occurred on November 20, a day for which Gleeson didn’t have an alibi. On February 27, Gleeson was convicted of murder; he was hanged on April 23. However, his conviction and execution didn’t silence the questions surrounding McCarthy’s death. Gleeson’s pardon was the result of years of dogged research on the part of individuals who believed in his innocence and who poked several holes in the prosecutors’ case, uncovering evidence that the prosecution had deliberately withheld. Gleeson’s pardon, then, begs the question: Who actually killed Moll McCarthy? Proposed suspects include members of the Irish Republican Army, who, it’s said, suspected that McCarthy was an informant, or one of the fathers of McCarthy’s children. However, with the pardoning of Gleeson and the passage of time, it’s unlikely that the true culprit will ever be discovered.

 

Filed Under: True Crime Mysteries, True Crime Stories

Who Killed William Desmond Taylor?

February 9, 2016 by Tonya Blust Leave a Comment

Who Killed William Desmond Taylor

In the early days of motion pictures, William Desmond Taylor was one of the most prominent directors in Hollywood. Not only was he prolific, having supervised the filming of 59 silent movies, he was also lauded by his peers as being a refined, cultured man who was courteous to and respectful of the people with whom he worked.

It was a shattering revelation, then, when houseman Henry Peavey entered Taylor’s home in the post-dawn hours of February 2, 1922 and found the 49-year-old director’s lifeless body sprawled in his living room. Taylor had been shot to death, and Hollywood was aghast. Who on earth would have reason to kill the talented director known for such innocuous fare as Tom Sawyer and Anne of Green Gables?

Surprisingly, the list of suspects was as lengthy as Taylor’s filmography. Everyone from a disgruntled former employee to a spurned starlet was suspected of firing the fatal shot. In the end, no one was brought to justice for Taylor’s murder. Still, that hasn’t stopped nearly a century’s worth of armchair criminologists from dissecting the case and positing their own theories about the person—or persons—who killed one of the brightest stars of Hollywood’s early days.

The man whose death would serve as fodder for scores of Jazz Age gossip rags was born William Cunningham Deane-Tanner in Ireland in 1872. After a falling out with his father, the teenaged Tanner made his way to America in 1890, working first at a Kansas dude ranch, then moving to New York, where he married a woman named Ethel May Hamilton. The couple had a daughter, Ethel Daisy, and Tanner ran an antiques shop to support his family.

Life as a husband and father didn’t suit Tanner, whose wanderlust hadn’t abated since his earlier journey across the Atlantic. Tanner deserted his family in 1908 and dabbled in mining and acting for a few years before arriving in California with a new moniker (William Desmond Taylor) and a new goal—to make a name for himself in the burgeoning motion picture industry.

Taylor first worked as an actor, then became a director. He took some time away from Hollywood in 1918 and 1919 to serve in the Canadian military, but quickly resumed his career upon his return to California. As his reputation grew, Taylor became an in-demand director who worked with such silent-film stars as Mary Pickford, Wallace Reid, and Mary Miles Minter. The latter, a teenage ingénue who fell madly in love with Taylor while starring in his 1919 film Anne of Green Gables, would become one of the many people suspected of his murder.

Taylor spent the last evening of his life—February 1, 1922—drinking and chatting with comedienne Mabel Normand in his Los Angeles bungalow. Normand left at about 7:45 p.m., and 15 minutes later, neighbors heard what they later told authorities was a sound similar to that of a car backfiring. This was notable because authorities determined that Taylor had been killed at about that time, a fact that indicated the backfiring car may have actually been a discharging gun.

Perhaps it’s no surprise that Taylor’s murder has never been solved, for when Peavey discovered the director’s body on the morning of February 2, the first entity notified about the crime wasn’t the police department, but rather Taylor’s employer, Paramount. The movie studio immediately sent representatives to search Taylor’s home for letters, illegal liquor, and other items that could prove incriminating to either the director or the studio’s stars. By the time the police showed up, papers had been removed and the crime scene was being cleaned. The investigation proceeded, but with so much physical evidence lost or compromised (not to mention allegations of corruption in the police force), there was little chance of solving the Taylor murder.

So who were the suspects? Some of the most frequently cited ones are:

Mary Miles Minter—aged 19 at the time of Taylor’s death, Minter had starred in his film Anne of Green Gables, and had fallen in love with him despite the fact that he was 30 years her senior. People who knew both Minter and Taylor said that the director tried to tactfully brush off Minter’s advances. Could a humiliated Minter have killed Taylor as payback?

Charlotte Selby—Minter’s mother Charlotte Selby has also been put forth as a suspect. A stereotypically domineering “stage mother,” Selby was said to have owned a gun similar to the one that killed Taylor. Was Selby possessive enough of her daughter to kill the man who had broken Minter’s heart?

Edward Sands—For a time, serial con artist Edward Sands worked as Taylor’s houseman. Ultimately, he stole $5,000 from Taylor and disappeared, though not without sending a mocking note to Taylor under the latter’s real name, William C. Deane-Tanner. A few days before his death, Taylor began receiving hang-up phone calls. Was Sands behind them, planning to return for more of Taylor’s wealth and using the calls as a means of determining when the director would be at home?

Margaret Gibson—Silent film actress Margaret Gibson was said to have confessed to Taylor’s murder on her deathbed in 1964. She had worked with Taylor on various films, but not much is known about their relationship (if, indeed, anything beyond a professional relationship existed between the two) or her alleged motive for the crime. Was she responsible for Taylor’s death, or was her confession either a fabrication or the faulty memories of a dying woman?

Drug dealers—Taylor didn’t do drugs, but his close friend Mabel Normand most certainly did. Her vice was cocaine. Seeing how the substance was affecting her professional and personal life, Taylor repeatedly urged her to beat her addiction and, shortly before his death, was said to have been seeking avenues to bring charges against Normand’s suppliers. Did vengeful drug dealers kill Taylor as a means of staying out of prison and keeping their clutches on Normand?

Filed Under: Hollywood Crimes, True Crime Mysteries

The Mysteries of Lord Lucan

November 10, 2015 by Tonya Blust Leave a Comment

The Mysteries of Lord Lucan

Not only was John Bingham born into an aristocratic family whose heritage bestowed on him the title of the 7th Earl of Lucan, he was also strikingly handsome—so handsome, in fact, that when Cubby Broccoli, producer of several James Bond films, was looking for a new actor to assume the role of Britain’s most iconic spy, Bingham was one of the men he considered.

Lord Lucan, as Bingham was called, never became 007. However, the world eventually came to know him almost as well as if he had been a silver screen star. In November 1974, Lord Lucan filled headlines in England and abroad when he became the prime suspect in the murder of his children’s nanny—and then promptly disappeared, never to be seen or heard from again.

The man whose life contained enough intrigue to fill an Ian Fleming novel was born in London in 1934. He attended the prestigious Eton school, then served in the army before finding employment with a merchant bank. In 1963, Lord Lucan married a secretary and former model named Veronica Duncan (who became Lady Lucan). The couple settled in the Westminster neighborhood of London, where their family grew to include three children: Frances, born in 1964; George, born in 1967; and Camilla, born in 1970.

Despite—or perhaps because of—his family’s wealth, Lord Lucan didn’t seem to understand the intricacies of money management. After earning a significant amount of cash in a few days at the betting tables, he quit his day job, deciding that he would make his living by gambling instead of banking. Though Lord Lucan had some successes, he also had several failures that required family money to erase.

The stress of the family’s financial situation was one of several factors that led Lord and Lady Lucan to separate in 1972. The split wasn’t amicable. Lord Lucan wanted full custody of the children and began spying on Lady Lucan in an effort to collect evidence proving that she was an unfit mother. (Lady Lucan had suffered from postpartum depression following the births of her two youngest children, and continued to suffer from depression and anxiety.) Still, despite Lord Lucan’s efforts to paint his wife as mentally ill, the court sided with Lady Lucan and awarded her full custody of the kids, giving Lord Lucan visitation rights.

If Lady Lucan thought that this judgment would end her husband’s campaign of harassment, she was wrong. Lord Lucan continued spying on her, secretly recording their conversations and soliciting information from nannies who helped care for the children. Lord Lucan’s mental state deteriorated and he began to drink heavily. According to acquaintances, he even threatened to kill his wife.

As it turned out, a member of the Lucan household would suffer an untimely end, but it wouldn’t be Lady Lucan. On the evening of November 7, 1974, the Lucan family’s nanny, Sandra Rivett, went into the basement of the Lucan home to make Lady Lucan a cup of tea. (Lord Lucan had moved out of the home following the separation.) Lady Lucan would later tell authorities that when Rivett hadn’t returned 15 minutes later, she—Lady Lucan—headed downstairs to check on the nanny. There, Lady Lucan was attacked by a man whom she identified as her husband. Lady Lucan managed to escape and contact the authorities, who descended on the home and found Rivett’s body in the basement. She had been bludgeoned to death with a lead pipe. Lady Lucan said that she believed her husband had killed Rivett, but that he hadn’t meant to do so. Instead, Lady Lucan believed that she herself was the target, and that Rivett had been the unfortunate victim of a case of mistaken identity.

Lord Lucan had a different version of the events that took place that evening. Not long after Rivett’s murder and the assault on Lady Lucan, he visited a friend and told her that he had been passing the family home that evening when he chanced upon a man attacking Lady Lucan. According to Lord Lucan, in her addled state Lady Lucan believed that he—Lord Lucan—had sent the man to kill her. Fearing that he would be arrested for something he hadn’t done, Lord Lucan fled the scene.

When informed by his mother via phone that the police wanted to talk to him, Lucan said that he would contact them the following day. At that point, he left his friend’s home in a borrowed car and disappeared. A few days after his disappearance, authorities discovered the car, which contained part of a lead pipe similar to the one that had been used to kill Rivett. Some people believe that Lord Lucan killed himself, while others believe that he escaped. Regardless of his fate, since those early morning hours of November 8, 1974, when Lucan left his friend’s home, no confirmed sighting of him has been reported. Lord Lucan was declared dead in 1999.

In 1975, a coroner’s inquest found that Lord Lucan had killed Rivett. Yet despite this declaration, the dual mysteries of Lord Lucan remain. Did he kill Sandra Rivett? And what happened to him after his disappearance? In the absence of a criminal trial, which will likely never occur, those questions will remain unanswered—probably forever.

Filed Under: True Crime Mysteries

The Death of Billy Woodward

July 8, 2015 by Tonya Blust Leave a Comment

The Death of Billy Woodward

When journalists deemed William Woodward, Jr. to be the “most eligible bachelor in America,” they weren’t kidding. Young, handsome, wealthy, and from a distinguished New York City family whose members hobnobbed with British royalty, “Billy” Woodward was the ultimate prize for marriageable socialites: a debonair man who would someday take over his father’s distinguished positions as director of Hanover National Bank and owner of Belair Stud, a horse-racing stable that produced money-making thoroughbreds.

It was a surprise, then, in March 1943 when 23-year-old Woodward married Ann Eden Crowell. The new Mrs. Woodward wasn’t the type of woman New York society had imagined for Billy; instead, she was the type of woman they would have referred to as “NOCD”—“not our class, dear.” Nearly five years older than her husband, Crowell had been born in Pittsburg, Kansas. Attractive and ambitious (some said to a fault), she ultimately made her way to New York City, where she found employment as a showgirl and radio actress. (In 1940, she was named the “most beautiful woman in radio.”) It was William Woodward, Sr. who introduced his son to Crowell, and though Woodward Sr.’s wife Elsie frowned on the courtship, believing that Crowell was interested in her youngest child and only son strictly for the money, the pair nevertheless wed and had two sons, William III and James, in short succession.

The couple lived a glamorous life—wining, dining, and partying with the upper crust in both New York and Europe. However, almost from the start, the Woodwards’ marriage was volatile. Both partners drank and cheated on each other, and engaged in public spats that became the fodder for gossip. In 1947, tired of the drama, Billy Woodward asked for a divorce, but his wife refused to grant one. Billy’s desire to separate from Ann—and the knowledge among New York’s upper classes that his wife’s social standing and bank account would suffer should she and her husband sever ties—caused many of their friends to question the story Ann gave when, in 1955, she shot her husband to death in their Long Island mansion.

On the fateful night of October 30, the Woodwards attended a dinner party for the Duchess of Windsor. Upon returning home, and fearing reports that prowlers had been lurking in their posh neighborhood, both retreated with guns to the safety of their separate bedrooms. Ann told police that, later in the night, she heard a noise on the roof. Stepping into the hallway, she saw a shadowy figure in front of Billy’s bedroom door. Assuming the figure was a prowler, she fired. Then, approaching the body, she realized that the man she had just felled was her husband.

Immediately, the question arose: Did Ann really, as she claimed, shoot her husband after mistaking him for a prowler? Or was her intent more sinister? Tongues wagged that Billy was still threatening divorce and that Ann might have killed him to keep that from happening. Surprisingly, the woman who most disapproved of Ann—her mother-in-law, Elsie—ended up being her defender, though for purely self-serving reasons. Not wanting to subject her family to additional scandal, Elsie, despite her private belief that Ann had intended to kill Billy, publicly insisted that Ann was innocent. Gossips believed that to cement this position, Elsie paid a man named Paul Wirths to tell police that he had broken into the Woodward home that night (though whether or not Elsie made such a bribe has never been proven).

Ultimately, a grand jury found that Ann Woodward had committed no crime. However, the damage that a divorce would have done to her social life was nothing compared to the shunning she received from New York society, many of whose members believed that she had deliberately murdered her husband. Twenty years later, when Ann heard that author Truman Capote was publishing part of his autobiographical novel, “Answered Prayers,” and that one of the chapters featured a murderous socialite based on Ann, she swallowed a cyanide pill, dying on October 9, 1975. Though friends said that Ann had been depressed and that Capote’s story wasn’t the direct cause of her suicide, Ann’s mother-in-law weighed in as follows: “That’s that. She shot my son, and Truman just murdered her.”

The sad legacy of the Woodward family didn’t end with Billy and Ann. As adults, both Woodward sons committed suicide by jumping out of windows—a bitter testament to the fact that money can’t buy happiness, and that the sins of previous generations are often visited upon their children.

Filed Under: True Crime Mysteries

How Did George Reeves Die?

June 19, 2015 by Tonya Blust Leave a Comment

How Did George Reeves Die

Early in the morning of June 16, 1959, a gaggle of partygoers was boozing and chatting in the Los Angeles home of George Reeves, the 45-year-old actor best known for his portrayal of the Man of Steel in the popular television show “Adventures of Superman.” At some point between 1:30 and 2 a.m., Reeves’ guests heard the sound of a gunshot from an upstairs bedroom to which the actor had previously retired. According to partygoers, one of the guests raced upstairs to find Reeves lying across his bed, the life snuffed out of him by a bullet in the head.

Following an investigation, officers of the Los Angeles Police Department ruled the death a suicide, likely prompted by Reeves’ alleged depression over the fact that he was experiencing financial problems and that his career had stalled since the cancellation of “Superman” in 1958. Many students of the case accept the official finding; however, others insist that this version of events ignores too many questionable circumstances. Proponents of the latter point of view believe that Reeves was, at the very least, shot accidentally, or, at the worst, straight-up murdered.

The man who would eventually meet a much-debated end was born George Keefer Brewer in Iowa in 1914. Shortly after the boy’s birth, his parents divorced, and eventually George moved to California with his mother, Helen. It was there where he caught the proverbial “acting bug,” singing and performing in school plays throughout high school and college. Reeves picked up his first major film credit by portraying one of the “Tarleton Twins,” suitors of Scarlett O’Hara, in the 1939 blockbuster “Gone With the Wind.” The fledgling actor chose “Reeves” as his stage surname, and went on to appear in a number of B movies before snagging the role of Superman in the 1950s television series that made him famous. (Reeves also shed the cape and tights long enough to appear in the Academy Award-winning 1953 film “From Here to Eternity.”)

Reeves had hesitated to take on the role of Superman because he considered television a step down from film work. He did enjoy one aspect of the job, however—portraying America’s ideal role model. While in public, aware that kids were watching his every move, Reeves refrained from such un-Superman-like behavior as smoking cigarettes. Yet despite his affection for young fans, Reeves chafed at his low salary and rigid contract, which made movie work next to impossible. Reeves also feared that he would become typecast as a do-gooder and that producers wouldn’t accept him in meatier roles requiring more acting chops.

It was in the midst of this professional stress that Reeves’ private life began getting messy. In the early 1950s, he had started seeing a former Ziegfield Follies showgirl named Toni Mannix, who was married to Eddie Mannix, the general manager of MGM. Their relationship lasted several years, until early 1959, when Reeves broke up with Mannix. Shortly afterward, he became engaged to a socialite named Leonore Lemmon. Both women would factor into theories regarding Reeves’ death.

The events of that night remain shadowy, as the witnesses in Reeves’ home were intoxicated when police arrived. However, according to those in attendance, Reeves had gone to bed, then returned downstairs to complain about the noise his visitors were making. Reeves stayed long enough for a drink, then returned upstairs. Shortly afterward, his guests heard the gunshot that ended Reeves’ life and launched a number of conspiracy theories about his death.

One of the most common theories is that Toni Mannix, enraged at the fact that Reeves had broken up with her, arranged his murder with the help of thugs in the employ of her movie mogul husband, who apparently didn’t have a problem with Toni’s affair. Hollywood publicist Ed Lozzi claimed that, on Toni Mannix’s deathbed in the early 1980s, she confessed to a priest that she had been involved in Reeves’ death. However, no outside source can confirm Lozzi’s claim.

Still others believe that Lemmon killed Reeves, either accidentally or as a deliberate murder. Lemmon was known to have a fiery temper (she and Reeves had allegedly fought a few hours before his death) and was one of the guests at Reeves’ home on that fateful night. Supporters of this theory point to statements from Reeves’ friend (and fellow Tarleton Twin) Fred Crane, who wasn’t present when Reeves died, but who said that one of the witnesses had confided that Lemmon was upstairs—and not downstairs with the rest of the guests as she had claimed—at the time Reeves was shot. The fact that shortly after the death Lemmon fled to New York with $4,000 in traveler’s checks that Reeves had allegedly bought for their honeymoon added fuel to this theory.  However, as with the assertions surrounding Toni Mannix, those who insist that Lemmon was involved rely primarily on conjecture and circumstantial evidence. In the end, it’s likely no single solution to the mystery will satisfy its many “followers.”

Though Reeves may have felt unappreciated by the entertainment industry in life, Hollywood embraced him in death. He’s interred in Mountain View Cemetery and Mausoleum in Altadena, California, and received a star on the Hollywood Walk of Fame in 1960. In addition, the 2006 film “Hollywoodland,” starring Ben Affleck as Reeves, presents a fictionalized version of the events surrounding Reeves’ death.

Filed Under: Hollywood Crimes, True Crime Mysteries

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